It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a dazzling feat of literary construction that belies the profound questions at its core: Does technology aid our sense of narrative or obscure it? -C.S. But when you slow down and begin to parse the web that connects it all, the novel takes on increasing gravity. The writing is light and buoyant, the characters quite often a rollicking delight-energized by rock and roll the countercultures of the ’60s and ’70s high-wire acts of espionage and technological subterfuge. The Candy House is a book that goes down deceptively easy.
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Composed of interconnected short pieces (featuring a few of the same characters that populated Goon Squad), The Candy House is also united by the omnipresence of a sci-fi technology that doesn’t feel quite so far off from our current reality: a widely available memory download device that allows your consciousness (should you so desire) to live in an openly accessible cloud. Jennifer Egan’s The Candy House is something of a follow-up to her beloved A Visit From the Goon Squad. (For a year at a time, Hsieh was confined to a room with no diversions punched a timecard every hour and lived on New York City’s streets, avoiding any kind of shelter, including during one of the coldest New York winters on record.) Alternating between the present and 1980s New York, with stops in Silicon Valley and the Venice Biennale, Chen’s novel is a meditation on the passing of time, how we choose to occupy our days, and everyday acts of endurance and survival. In poet Lisa Hsiao Chen’s debut novel, a 30-something Asian American woman cares for her dying father while also investigating the work of enigmatic (real-life) Taiwanese artist Tehching Hsieh, best known for his rigorously disciplined time-based performances. Newman’s fiction recalls the flinty humor of Annie Proulx, Ann Patchett, and Antonya Nelson-excellent company to be in.
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Newman, the author of a 2013 memoir, Still Points North (excerpted in Vogue), which was also set in Alaska, is especially unsentimental on women-on girls kicking free of their fathers (or not) desperate mothers doing the best they can and, in the prizewinning lead-off story, “Howl Palace,” a mordant widow who is not going gracefully into the good Alaskan night. The author’s home state of Alaska is vividly rendered in its untamed, frontier beauty-but so too are its denizens, who are fierce Alaskans with questionable taste in home decor and hilariously unrefined personalities. The funny, earthy, and compulsively readable stories in Leigh Newman’s debut collection, Nobody Gets Out Alive (Scribner), are about wildness in all its forms. Only available for a LIMITED TIME – NOT FOUND IN STORES! With Secure Checkout (100% Secure payment with SSL Encryption), Return & Warranty (If you’re not 100% satisfied, let us know and we’ll make it right.), Worldwide shipping available, Buy 2 or more to save shipping.
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